In this lesson we will learn the fundamentals of Remote Viewing. We take inbound information about a target in a very structured way. We will begin by learning this structure so that we can then properly receive and categorize inbound information in realtime. Think of playing the piano, the pianist does not stop and think about each note before playing, instead the music just flows, but in the beginning when learning how to play the piano, there is a structure that we must learn, how to read sheet music, which keys play which notes, etc.

Also we learn the process of Samyam on the 16th Sutra of Patanjali - this is the sutra that coveys the siddhi of knowledge of past and future.

Let’s look at the templates that we will use in our RV sessions. The first template has a place for Name, Date and Time in the upper right corner. Then Stage 1 of the site – the Ideogram – in the small box. To the left of the box we write the target numbers – this is the first instruction to our prana mind to view the target.

Now we are going to add Template C to the process and create the first Analytical Sketch

Now we are going to add Template D to the process and create Stage 4 of the Remote Viewing process

For the Site Template we will explore [X], [A], and [B]. A Site Template is all the pieces snapped together to look like something. It will look like a wiring or schematic diagram that will contain all the essential elements of both the problem and the solution.

The Stage 4 T column represents the Tangibles associated with the target. Tangibles have form, either gross physical like earth or even air because it has a molecular structure and the molecules and atoms are physical. What about the prana body? It has no physical form, but it is a subtle form, it exists in a dimension of relativity (that which is not Absolute) that permeates the physical and is not bound by it. Because the prana body has form, it must be a Tangible. The manomaya kosh exists in yet another dimension, one that is not bound by the prana realm, but it has form so it is a Tangible. The vyjnamaya kosh is on another dimension, unbound by the manomaya realm. Yet there is form so it must be a Tangible.

The I column is for Intangibles, which are things that have no form, they are concepts and cannot be touched: commerce, war, function, beauty (as a concept – what makes the mind pause in awe), music would be an Intangible in its conceptual form, the idea of music, but when played there is vibration of the air so music takes a form and become Tangible.

We must be specific regarding date / time and place. By using a photographic target, this eliminates ambiguity. We put the target reference number on the media itself or if a digital image, name the image with the target number, very important. If you have a photograph with several items in it, and you want to focus on one item, draw a line from the the target and label it on the photograph itself with a line from the word “Target” followed by a TRN, to the item. Do not circle the target, instead, draw a line to it. You must be unambiguous about your target, so a labeled photograph is best, or even a labeled photocopy of a photograph.

In this session we will use plain paper, not the pre-formatted templates as before, and the Remove Viewing Session Flowchart to remind us what to do next.

A front loaded problem is one you might make up yourself and so you may “think” you know the answer. It is a target where you have the cue, for example you are shown a picture of a bird with a deformed beak and the cue is:

Bird in Photograph / Beak Deformity / Primary Cause [5487/5586]

The purpose of this is to train you to execute sessions of your own choosing without the need of another individual providing you with a Blind Target.